Saturday May 16th at 10:00 AM
Surf Parade Stage
Direct from Memphis, Don Bryant and the Bo-Keys will be gracing the stages of Blues on Broadbeach for the first time in 2020!
You know that old song that O. V. Wright did so well in 1971 that no one can ever do that song again — “Nickel and a Nail”? Not to take anything from O.V.— but after nearly half a century, now you gotta step aside. Don Bryant is here.
The roots of this record are in the Memphis church, where Don Bryant began singing when he was five. He joined his father’s family vocal group, then formed a gospel quartet for a high school radio gig. Broadcasting broadened the audience and they went secular, singing pop at WLOK on Dick “Cane” Cole’s popular show. After parting with the DJ, they took a very real step toward careers when, as the Four Kings, they began fronting Willie Mitchell’s band.
Willie Mitchell led the swingingest, groovin’est band in the Memphis-Mississippi-Arkansas area—the American music floodplain. (He would later discover Al Green and make him a star.) Willie’s band was known for instrumental records, but when they’d play at Danny’s in West Memphis, Don’s group fronted them. But the group broke up and Willie, who was touring concert venues and dance halls, needed a vocalist who could play with his supple, slinky funky beats, and anointed Don Bryant as his leading man.
Don could also write songs. He was still in his teens in 1960 when Willie was producing the ‘5 Royales and Don handed him “I Got To Know.” The 5 Royales put it on wax. Don was hot in the spotlight and in the writer’s room.
As Willie Mitchell carved out his place at Hi Records, Don was close by. Don cut songs at Hi under the Four Kings moniker (“That Driving Beat”) and as a solo artist (“Don’t Turn Your Back On Me”). He wrote material for other Hi artists, including Janet & the Jays and Norman West. In 1969, still in the age of 7” singles, Don was popular enough to release an album — though the big breakout hit stayed elusive.
Around 1970, Willie put Don with the Hi label’s newest act, Ann Peebles, who burst on the scene with “Part Time Love.” The relationship warmed, they co-wrote the hit “I Can’t Stand the Rain” in 1973 and were married the following year. Ann’s performing career continued, as did Don’s writing, and they began raising a family. Occasionally, Don returned to the microphone, duetting with his wife, sometimes releasing gospel material. Always, he continued to write songs.
And all the while, that voice was maturing, mellowing, until these recordings that find him, at age 74, in peak form and taking O. V.’s song. The band is a mix of lifelong cohorts and upstart stalwarts. They understand where he’s been and where he wants to go, making his song “How Do I Get There,” a rhetorical question, because they have clearly found the way.
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