In 2021, Blues on Broadbeach welcomes a man that needs no introduction. Achieving enough musical milestones to satisfy several lifetimes (or at least they would if he were the kind of artist who was ever satisfied), Tommy Emmanuel adds Blues on Broadbeach to his long list of playing history. “If you like guitar playing, it simply doesn’t get any better than Tommy.” — Jason Isbell.
At the age of six, he was touring regional Australia with his family band. By 30, he was a rock n’ roll lead guitarist burning up stadiums in Europe. At 44, he became one of five people ever named a Certified Guitar Player by his idol, music icon Chet Atkins. Today, he plays hundreds of sold-out shows every year from Nashville to Sydney to London. All the while, Tommy has hungered for what’s next. When you’re widely acknowledged as the international master of the solo acoustic guitar, what’s next is Accomplice One. An album of collaborations with some of the finest singers, songwriters and guitarists alive today, a list including; Jason Isbell, Mark Knopfler, Rodney Crowell, Jerry Douglas, Amanda Shires, Ricky Skaggs, J.D. Simo, David Grisman, Bryan Sutton, Suzy Bogguss and many more. Since he and his brother Phil taught themselves to play as toddlers, the guitar has been Tommy’s real first language and he’s more articulate on his signature Melbourne-made Maton acoustics than most people are with words. Influenced by the Merle Travis/Chet Atkins fingerstyle of guitar picking, Tommy developed a style of solo guitar playing that encompasses the range of a whole band covering drums, bass, rhythm and lead guitar and a vocal melody simultaneously. No loop pedals, no overdubs, just one man and ten fingers. While some artists take ten-piece bands on the road and still fill out the sound with backing tracks, Tommy builds a complete sonic world entirely on his own. For many players, the technical mastery of the technique would overwhelm the emotion of the music, but not for Tommy. His idols are not just the great players, but also the great pop songwriters and singers; Stevie Wonder, Billy Joel, Paul Simon, The Beatles and their ilk. While thousands of fans have spent years trying to unpack and imitate Tommy’s technique, for him it’s just the delivery system. His approach is always song and emotion first, his music the embodiment of his soulful spirit, sense of hope, and his love for entertaining. “When I was a kid, I wanted to be in show business. Now I just want to be in the happiness business — I make music, you get happy. That’s a good job.” – Tommy Emmanuel.
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